Lecture Today

CarrymanHandcrafted Porcelain in China: Collaborative Processes and Methods this Thursday, June 23rd, at 6 p.m. at the Shannon Room at Branigan Cultural Center, 501 North Main Street, Las Cruces, NM

Glenn Schwaiger, artist and Full Professor at NMSU/DACC, recently completed a three-month study of Chinese art history, culture, and ceramics in Jingdezhen, China. He will present photographic highlights of his travel in China and discusses the unique collaborative working methods of porcelain production in Jingdezhen.

Jingdezhen has been a major center for Imperial, domestic, and export porcelain for more than 1000 years. Ceramic artists in Jingdezhen perfected the materials and processes required to produce porcelain during the Song Dynasty (960-1279). Today, skilled craftspeople work in concert to produce a broad range of porcelain objects from simple production wares to large-scale sculptures.

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Photo Set Up

Photo Set up croppedMy wife, LeeAnn, has been taking digital photography classes for a couple of years.  Instead of buying professional lighting, she asked me to help her hang a piece of insulation from the ceiling to act as a reflector and to install a pulley for a gray seamless backdrop.

Here is a photo of the set up with 90 watt LED bulbs clipped on to the edge of the table and of one of my pots that I made last year.  The only caveat is that she has to photograph when it is dark out, to control the lighting, as my studio is full of natural light.  Stay tuned as she plans to take more photos of my work. . .

 

 

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Handmade in China Lecture on YouTube

The February 23rd, 2016 lecture, Handcrafted Porcelain in China: Collaborative Processes and Methods, was recorded by the Creative Media Technology Students at Doña Ana Community College.

If you live in Las Cruces and want to see this presentation live, please note this upcoming lecture:

Handcrafted Porcelain in China: Collaborative Processes and Methods

Lecture, Thursday, June 23rd 6:00-7:30 p.m.

Branigan Cultural Center, 500 N. Water Street

 

Doña Ana Community College Art Reception and Save the Date for Lecture

160428 Art Opening

 

Please join me to celebrate art at Doña Ana Community College this Thursday, April 28th from 4:30-6:00 p.m.

The artwork of Míhaíl Chemíakin, a Russian artist currently exiled in France, is on display in the Main Building Mezzanine at the DACC East Mesa Campus. Chemíakin’s unique colorful and playful prints are reminiscent of Cubist and Surrealist styles.  In the Mezzanine, I have a display case highlighting traditional ceramics from China and several of the works I made during my sabbatical in Jingdezhen. The printmaking students of Ouida Touchon have a lovely display case also.

 

 

Save the DATE I will be speaking in Las Cruces about:

Handcrafted Porcelain in China: Collaborative Processes and Methods

Lecture, Thursday, June 23rd 6:00-7:30 p.m.

Branigan Cultural Center, 500 N. Water Street

Evening and Weekend Ceramic Classes at Doña Ana Community College

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Doña Ana Community College is investing in a brand-new, fully equipped Ceramics Lab at the Workforce Center, 2345 E. Nevada St. Las Cruces, NM.  I have worked with the architects and DACC/NMSU Facilities to design a first class lab, which will be operational for Fall Semester 2016.  Best of all, DACC will expand the course offerings.  I’ll be teaching daytime, evening and weekend ceramics classes.

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Learn how to:

  • hand-build and use a potter’s wheel
  • decorate and glaze ceramic wares
  • load and fire gas and electric kilns

Register now- classes begin August 17th

The following classes are open to everyone and there are no prerequisites:

Art 275 T/Th 12:30-3:00 p.m.

Art 276 T/Th 5:30-8:00 p.m.

Art 275 Saturday 12:00-5:00 p.m.

 

For more info contact: Glenn Schwaiger [email protected] or 575-525-1625

If you are over 65 and a NM resident,
you pay $5 per credit hour (additional
fees may apply).  Here is the link for tuition information: Reduced Tuition for Senior Citizens

 

 

 

Wonderful Audience

Thank you to the generous Las Cruces audience in attendance for my presentation this evening.  It was heartwarming to see so many supportive friends and the ceramics community.  Appreciation to the NMSU Confucius Institute and the Department of Art for sponsoring the event and special thanks to Elvira Mason, Jacky Wu and my wife, LeeAnn.  The presentation was videotaped and will be available in time at New Mexico State Confucius Institute website.

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Presentation Tonight

For those of you in Las Cruces, I wanted to remind you that my lecture is tonight at 6 p.m.  Parking is free after 4:30 p.m. on Campus.

Here is a Google map link and the press release:

Handcrafted Chinese porcelain topic of NMSU Confucius Institute presentation

DATE: 02/05/2016
WRITER: Adriana M. Chavez, 575-646-1957, [email protected]
CONTACT: Elvira Hammond, 575-646-2377, [email protected]
CONTACT: Glenn Schwaiger, 575-527-7610, [email protected]

Glenn Schwaiger, an artist and associate professor at New Mexico State University and Dona Ana Community College, will present highlights of his latest trip to Jingdezhen, China, during a presentation later this month.

Schwaiger’s presentation, “Handcrafted Porcelain in China: Collaborative Processes and Methods,” will be from 6 to 7:30 p.m. Feb. 23 in the NMSU Health and Social Services Building Auditorium, Room 101. The presentation is free and open to the public, and is sponsored by the NMSU Confucius Institute and the NMSU Department of Art.

Schwaiger recently completed a three-month study of Chinese art history, culture, and ceramics in Jingdezhen, China.

“In every nook and cranny of Jingdezhen, there’s someone working with porcelain,” Schwaiger said about what he observed during his trip. “Craftspeople specialize in more than 70 different skills, such as making clay, pottery, molds, brushes and decorating.”

Schwaiger also said the collaborative spirit is “alive today in the porcelain capital of the world.”

Jingdezhen has been a major center for Imperial, domestic, and export porcelain for more than 1,000 years. Ceramic artists in Jingdezhen perfected the materials and processes required to produce porcelain during the Song Dynasty from 960 to 1279. Today, skilled craftspeople work in together to produce a broad range of porcelain objects from simple production wares to large-scale sculptures.

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Handmade in China

Here is a sampling of a few items that I made when in China in 2015.

Vinca Bottle

 

Vinca Bottle, mishima decoration (a Japanese technique) on porcelain

Vinca platter Carved Vinca Platter, celadon glaze on porcelainyixing tea potModern Interpretation of a Yixing Teapot, stoneware

Las Cruces Bulletin Article

A big thank you to Alta LeCompte for a lovely article about my time in China!

This article is published in the Las Cruces Bulletin, February 12, 2016 edition on page B9.

Below the image of the article there is larger text so that you can read it more easily.

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Schwaiger to share Jingdezhen experiences

By Alta LeComtpe

Las Cruces Bulletin

Artist and educator Glenn Schwaiger went to great lengths — 7,294 miles to be exact — to bring to Las Cruces a new understanding of ceramics and culture in Jingdezhen, China.

The city has been China’s center of ceramics production for 1,000 years.

Schwaiger, an associate professor who leads the fine arts ceramics curriculum at Doña Ana Community College, will present a talk Tuesday, Feb. 23, on the work of Jingdezhen potters, who have been creating and exporting porcelain for more than 1,000 years.

The lecture will be from 6 to 7:30 p.m. in Room 101, the Health and Sciences Auditorium on the New Mexico State University campus.

In late 2015, Schwaiger spent three months living and working among the ceramic artists of Jingdezhen.

The place where they live and work is called a factory, as is any place of production, Schwaiger said.

Inside the Jingdezhen ceramics factory, craftsmen use a team approach to creating their pieces.

“Each craftsman does a specific skill, from preparing the clay to working with the wheel to trimming the clay,” Schwaiger said. “There are more than 70 distinctive skills, each done by a different person.”

The system of having each person do what they do best makes sense to Schwaiger.

He said the system is efficient, cost effective and also creates social benefits.

“People learn from each other and a sense of community is created,” he said. “That’s enriching for a work environment.”

Seeing Jingdezhen through an artist’s eyes

Those who attend the lecture will see slides of the Jingdezhen potters at work and at leisure, as well as images of their creations and follow Schwaiger’s adventures in and around the city.

“I’ve always been interested in ceramics from Japan, China and Korea,” Schwaiger said. “I wanted to experience something different and new, geographically and culturally.”

During his time in Jingdezhen, Schwaiger stayed in a hostel that was part of the ceramics factory. The factory included the work area and also a kitchen where meals were prepared for the artisans.

“It was some of the best food I ate in Jingdezhen,” Schwaiger said.

Since the pottery workshop kitchen did not serve breakfast, Schwaiger ventured out — usually on his bicycle — for his morning meal.

“Bicycling is faster than walking and reasonably safe,” he said. “The traffic can be very dense. People drive across the grain and scooters cut across traffic. If you’re a pedestrian, you’re like a stone in the river. Traffic just flows around you.”

He enjoyed sampling the food of street vendors, especially sweet potatoes cooked in their portable charcoal ovens, which they transported by pedal-driven wagon.

“I had favorite vendors who would want me to stop and say hi,” Schwaiger said. “If I was on my bike, I would strap the sweet potato on to a little rack.”

Bringing art to the community

At the ceramics factory, Schwaiger attended workshops by local master artists, who demonstrated the technique for Qinghua — blue on white porcelain, a technique many people associate with China.

Like other artists who come from all over the world to work in Jingdezhen, Schwaiger did his own studio work, primarily in porcelain with celadon glaze.

“We worked with porcelain, a fine, pure clay that is translucent and glasslike when fired,” he said.

Schwaiger’s trip was arranged by the Ceramics in China Study Abroad Program at the University of West Virginia in partnership with the Pottery Workshop, an educational facility to foster learning among international artists.

He was part of a group of 10 students visiting Jingdezghen. Although he himself was a student on this trip, his companions called him “uncle” or “shifu,” which means master.

Schwaiger is an associate professor at DACC, where he built the ceramics program from scratch.

He began his teaching career in 1992. Prior to taking a position with DACC, he taught at El Paso Community College and UTEP.

In addition to teaching at DACC and at his studio, he has for 10 years worked on art projects that involve public participation. He has led the creation of public art in the Gadsden public schools as well as in Las Cruces and Albuquerque. Among his public projects was the design and execution of the tile mural in La Placita Downtown in 2011 with his students and members of the public. As part of his current sabbatical year, he is restoring the mural.

“I bring the materials and tools and work with students to develop the design and do tile fabricating for a mural or sculpture,” he said. “As many people as possible have an art experience.”

Alta LeCompte can be reached at alta@lascrucesbulletin or 680-1840

 

Huangling Valley – Jiangxi Province

The past week has been eventful with travel to several villages and cultural sites in the Huang Ling Valley of Jiangxi Province.  I began with a visit to the village of Likeng where I stayed for three nights.  Initially, I arrived with several fellow students from West Virginia University, although they decided to return to Jingdezhen the following day.  I stayed on to explore some of the local villages and the countryside.

Likeng village
Likeng village
Farm fields in Likeng
Farm fields in Likeng

In Likeng, I made the acquaintance of Kevin Xu, a twenty-four year old Chinese citizen who had been living and working in Toronto for the past two years.  Kevin had taken leave from his engineering job to travel around China for several months.  His English/Chinese language skills proved a valuable asset for logistics of travel and for visiting with the people we meet.   Kevin and I joined with a Dutch couple to hire a taxi to several villages, cultural sites, a cave, and a hiking trail.  Several photographs of the day-trip are provided below.

Hiking buddies
Hiking Buddies

 

Hiking Huang Ling valley
Hiking Huang Ling valley

 

Rainbow Bridge
Rainbow Bridge

After our stay in Likeng, Kevin and I decided to visit the village of Huangling.  It is perched on the side of a mountain overlooking a spectacular terraced agricultural valley.  A cableway moves visitors from the valley floor up to Huangling.  The village maintains its agricultural roots of more than 600 years.  The buildings have been meticulously restored and repurposed to provide an authentic village experience for visitors. The design and implementation of the restoration work was thoughtfully done to maintain the historical nature of Huangling.  Modern amenities have also been provided, including two bridges that span the valley, restaurants, and shops.

Terraces fields near Huangling
Terraces fields near Huangling

We met a Chinese women, Joyce (her ‘English’ name) who was managing the village reading library and doing field research related to her doctoral studies in tourism.  She arranged for us to meet the manager of Huangling, who extended an invitation to Kevin and  I to stay for the evening, have dinner, and be taken on a guided tour of the village the following day.  Joyce asked if I would be willing to be interviewed about my impressions of the village to help with her doctoral research.  We accepted the generous offer and stayed in a beautiful room in a restored building.  The next day we walked around Huangling with the benefit of a guide who showed us some of the prominent residential and public buildings as well as several of the original structures awaiting restoration.

Huangling village
Huangling village

We ate lunch with the owner of the Huangling development, Mr. Wu, who explained how the village had been transformed from a farming community to tourist destination with a focus on historic preservation. After lunch, I answered some questions prepared by Joyce and offered my impressions of the transformation of the village.  We talked about the benefits and challenges of converting an agrarian village into a tourist destination.  Mr. Wu arranged to have a guide take Kevin and I to one of the older villages within walking distance where we observed the contrast between a traditional village and the upgraded Huangling. I was left wondering how a balance can be reached between preserving a simple agrarian life-style with the need for economic development and historic preservation. I am grateful for the hospitality extended by the Huangling village management during our visit.